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Lost and found in translation: honorary British dramatists

What does it take for a foreign language playwright to become an ‘honorary British dramatist’? What is the difference between a translation, an adaptation and a version? Theatre-lovers and the...

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Staging European languages and memories: the sounds and rhythms of the Great War

 Written by Stefanie van Gemert, PhD candidate, UCL Dutch Is there a particular rhythm to war and violence? And if so, does it sound staccato, repetitive like machine guns and marching boots? Or are...

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